Masterclass con Guillermo Pérez – La monodia del Trecento italiano: ballate & istampitte











12-13 Ottobre 2013

La masterclass, aperta a tutti gli strumenti, si concentrerà sullo studio del repertorio monodico vocale e strumentale dell’Ars Nova Italiana.


“Italian 14th century monody”

Istampitte and dance’s repertoire from London B.L. Add. 29987, anonymous Rossi Codex pieces, works by Florentine trecento composers.

Open course for medieval keyboards (organetto, clavisimbalum), string instruments (lute, harp, fiddle), wind instruments (recorders, alta capella), percussion players…


Saturday 12th October



20h30 Concert recital Guillermo Pérez

Sunday 13th October



In addition to their own repertoire, the organisation will send to the students a selection of pieces to be performed during the course.

Guillermo Pérez

Born in Barcelona (Spain), musical director and researcher, Guillermo Pérez is an internationally recognized organetto player developing an unusual career in the field of early music. His interest in the instrumental repertoires from the 14th and 15th centuries led to the foundation and artistic direction of Tasto Solo. 

During the past teen years he has been working regularly with prestigious specialized ensembles including Mala Punica, Micrologus, The Unicorn Ensemble and Diabolus in Musica, recording awarded CDs for Naïve, Ricercar, Zig-Zag Territoires, Passacaille, Aeon, RaumKlang, Ligia and Pneuma labels as well as for radio broadcasting and television. He has performed in most part of European festivals and concerts venues.

Living in France since 2002 he’s currently teaching medieval music and organetto performance in Toulouse-Le Miral University and the Centre Itinérant de Recherche sur les Musiques Anciennes in Moissac. As a fellow of the Güell Foundation he follows the programme “Ars Nova in Europe” researching and preparing new articles about the Robertsbridge, Buxheimer and Lochamer manuscripts. He also lectures and offers workshops at main institutions including the Schola Cantorum Basiliensis, Vienna, Moscow and Orsay Conservatoires, Academia de Órgano Julián de la Orden, Essen Folkwang Universität der Künste, Centro Studi Europeo di Musica Medievale Adolfo Broegg…

At present, Guillermo Pérez is developing new soloist projects, working on late medieval keyboard schools and expanding the organetto repertoires until the early Renaissance period


Costo iscrizione:  180€

Informazioni e iscrizione: